F7.shtml | Updated: 02-Jul-2009 - 12:06
The F7 chord is a seventh chord (shown in "C" Tuning gCEA or GCEA). Sometimes inaccurately referred to as a dominant seventh chord. A 7th chord is only a dominant seventh chord when it is functioning as V or dominant chord, a 7th chord built on the seventh scale degree of a major or minor scale.
Chord Fingering (Strings 4 3 2 1)
Numeric scale degree formula based on a major scale: 1 3 5 b7
F Major Scale | ||||||||||
F | G | A | Bb | C | D | E | F | G | Bb | D |
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 11 | 13 |
The notes of F7 are : F A C Eb.
Seventh chords find their way into all forms of western music. For a blues progression in a major key all the chords can be major triads or seventh chords.
In a blue progression F7 can function as the I chord in the key of F, the IV chord in the key of C and the V chord in the key of Bb.
Seventh chord A seventh chord is a chord or triad which has a note the seventh above the tonic in it. In its earliest usage, the seventh was introduced solely as an embellishing or nonchord tone. The seventh destabilized the triad, and allowed the composer to emphasize movement in a given direction. As time progressed and the collective ears of the western world became more accustomed to dissonance, the seventh was allowed to become a part of the chord itself, and in some modern music, and jazz in particular, nearly every chord is a seventh chord. The next natural step in composing tertian chords is to add the note a third above the fifth of the chord, or the seventh of the chord.
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