The Private Music Teacher's Guide (PMTG1.shtml) | Updated: 09-Oct-2008 - 13:35
If you know exactly what you want visit the Products Order Page for fast ordering.
Author: Chuck Anderson
Publisher: Chuck Anderson Publications - (66 pages)
ISBN: NA Published: 1999, Second Printing 2006)
Product Code: PMTG1
Size: 8.5 x 11 inches (coil binding)
Press Release:
The Private Music Teacher’s Guide is filled with precise, insightful techniques to help you survive and prosper in the private music teaching business.
The philosophy of teaching addresses the question of why you teach. The “Why” in this question doesn’t relate to the need of income but to your internal attitudes towards teaching. Though there many reasons to teach, the single most important attitude in the long run is the desire to help a student achieve his or her goals. This is not to say that you shouldn’t be motivated by income but that the philosophy of helping is a more successful, long range approach.
An excellent test of the purity of this philosophy involves a simple speculation. If you had no financial need, would you teach? If the answer is no, your motivation was money. This is not a criticism or a value judgment - just a fact. On the other hand, if your answer is yes, you are motivated by a pure teaching philosophy. This is not to imply that one philosophy is better than the other. It just asks you to identify your own motivation. This is an important first step in setting and achieving your own goals.
Philosophy is not always this abstract. It also deals with your approach and priorities within the lesson. Some considerations are: How important is reading music, what about the role of songs, the amount of teacher demonstration, teacher- student duets, the importance of public performance through recitals, the use of graduated method books, the attitude and approach towards memorization, student creativity, ear training, theory, music business, grades, competitions, technology, writing music, music appreciation, music history, etc.
You must make a conscious decision on how you will approach each of these topics. Obviously, the student’s goals and interests will be the first consideration. But beyond that, these decisions will shape your style as a teacher. No two teachers agree on the approach or importance of these topics. The decision is yours but it should be made with the best interest of the student in mind. Ultimately, the more knowledge you have as a teacher, the more versatile and effective you will be. Every student must be treated uniquely but the teacher must be prepared musically, academically and philosophically to take advantage of that uniqueness.
No Samples Available at this time
Information related to the topics principles and information in the book.
Books related to the topics principles and information in the book.
“Chuck is a premier musician and teacher who enjoys an international reputation for excellence in teaching. He is the author of several publications and is a well known performer with a great deal of experience in virtually all forms of music.”
Dr. William V. Frabizio Chairman, Department of Music Arcadia College
“Chuck is the teacher and keeper of the knowledge and master of the techniques. Keep passing it on! ”
Michael Sembello Songwriter/ Producer
“Besides being an outstanding musician, Chuck Anderson has developed a worldwide reputation as an innovative music educator. Noted as an author and researcher, he has developed methods and teaching materials which have helped musicians to develop their creative potential.”
John Marshall Martin Guitar Company
“Chuck has an almost singular ability amongst contemporary music educators ¬†to balance the relevant academic knowledge with his broad based background as a performer and composer, hands-on practics and business experience.”
Arthur Bernstein Head of Music The Liverpool Institute for the Performing Arts
“Chuck Anderson has been a major influence on private music education for over 35 years. Teachers, players, arrangers and songwriters have all benefited from his unique combination of music knowledge, practical street experience and dedication.”
Gerson Rosenbloom President of Medley Music Executive of NAAM